Kwifilimu entsha Abesilisa, Abesifazane Nezingane, Crash Umqondisi uJason Reitman, wenza umsebenzi omuhle, oncomekayo wokuhlola isizukulwane sokuqala esizoguga kuma-Smartphones. Kepha akusibona ukuphela kwesizukulwane esishaywa umfutho online.
Izivakashi ze-YBOP zizobona ukuthi ubaba ubambezele imvelo ekubukeni i-inthanethi eningi kakhulu, futhi umama othanda ezocansi manje uthola ukuthi onothando lwayo lusenkingeni kakhulu ukuba azihluphe ngalo. Indodana yabo eneminyaka engu-15 ibilokhu ibukela i-inthanethi ngokobulili kusukela ineminyaka engu-10 futhi isisakazayo ukuyolanda (njengamanje isifazane). Ngeke esakwazi ukufinyelela emvuthweni wezithombe ezivusa ontanga yakhe.
Ngisho nangemva kokuqeqeshwa ngesitho sangasese esilingisiwe (ngesimo sebhola lezinzwa eliqoshwe ngokucophelela), lapho i-The Big Moment ifika ukuzohlangana ne-cheerleader eshisayo, uyi-flop ephelele. Esikhundleni sokuzibandakanya ne-foreplay ushaya indlwabu ngamandla ukuze athole ukwakheka, akulahlekelayo lapho engena. Zombili lezi zinsizwa zinamahloni futhi ziyadideka ngenxa yokungasebenzi kahle kwakhe kwe-erectile. Akumangalisi ukuthi uMiss Hottie akafuni lutho oluzokwenza nomuntu "onezinkinga ezijulile zocansi." Futhi akanalo noluncane ulwazi lokuthi izinkinga zakhe zokusebenza kungenzeka zihlobene nocansi (ngakho-ke ziyabuyiselwa). Kunoma ikuphi, asikho isibopho sothando noma ukwethembana ongasebenza phakathi kwaso kuyinselelo enjalo.
UReitman ukhombisa ngokungahambisani iqiniso ukuthi izinkinga zabalingiswa bakhe azibangelwa ubuchwepheshe obusha. Izimpande zabo zibuyela emuva okungenani isizukulwane noma ezimbili. Impela, i-intanethi ikwenze kwaba lula kunanini ngaphambili ukusebenzisa ucansi nezisusa zocansi ngaphandle kokukhathazeka ngokukhulisa isibopho sangempela sababili. Kodwa-ke kusobala ukuthi iningi labazali abakule movie bazithengisile izintelezi zabo zomzimba ngethemba lokuqhubekisela phambili imisebenzi yabo noma baphishekela ama-jollies nabalingani abasha ngokona kobudlelwano nezingane.
Ayikho inaliti yekhampasi yomuntu ebonakala ikwazi ukuthola "ibhalansi," yize ukuqonda okuvamile kobaba abahlukahlukene kusondela kakhulu ngasekupheleni kwe-movie. Iminikelo yabo ebalulekile iyisikhumbuzo esibuhlungu sokuthi kudabukisa kanjani ukuthi iphesenti elikhulayo lamadoda liyanyamalala ekuvuseleleni okungajwayelekile kwe-intanethi, ubuholi babo abulahlekelwanga emphakathini, abalingani kanye nezingane.
UReitman uhlinzeka ngesibuko hhayi intshumayelo. Empeleni, wenqaba ukwamukela uhlaka olukhathele "lokuziphatha ngokumelene nenkululeko," okuyinto abezindaba nabacwaningi bethu bezocansi bathi "yinkinga yangempela" lapho ucansi lubangela isiphithiphithi. (Yiliphi ikhulu leminyaka abasebenza kulo, vele?) Ukucindezelwa ngokocansi kuyinto ekude kakhulu ezithweni zobulili zabalingiswa be-movie. Banayo yonke inkululeko abayifunayo, ngaphandle kokukodwa – owesifazane osemusha ofunda empeleni izincwadi futhi kufakazela ubuhlobo obunamandla kakhulu bobuhlobo obuyiqiniso, ukuzimela kanye nokwahlulela okunengqondo lapho kubhekene nesimo esiphuthumayo.
Ngokucatshangwayo, abagxeki baye bayithela phezulu le filimu. Ngemuva kwakho konke, kudiliza ukucabanga kwethu okufisayo mayelana Mechanics of bonding yabantu kanye nesidingo sokulinganisela kwesethu ubulili, kanye nokubheka imishanguzo kobunye ubuchwepheshe obunenzuzo kakhulu.
Ungalokothi ukhathalele abagxeki nokukhala kwabo kwe- "hysteria" kanye "nokwesaba kokuziphatha." Zibonele ifilimu. Ngemuva kwalokho cabanga ngokubonga uReitman noParamount ngokuthatha lo msebenzi akekho omunye kubantu abavamile abafuna: ukwazisa umphakathi ngobungozi be-intanethi yanamuhla, ikakhulukazi intsha.
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