Mainly an interview study. A few relevant excerpts describing escalation, sexual conditioning and habituation:
Akwukwo ndi a nyere ezigbo aka na echiche a nwere ike imebi ihe ndi mmadu n’eme ihe ojoo n’ile ndi ozo, ebe ndi ozo n’abia na egosi na enwere ndi ndi mmadu gosiputara ihe ndi mmadu n’eme ihe ndi ozo.
Enwere m mgbagwoju anya ugbu a ebe m ga-anọdụ iji ihe ndị na-akpali agụụ mmekọahụ. Ruo ihe dị ka ọnwa isii gara aga, agaraghị m eche echiche banyere mmetụta ọjọọ nke iji ya. Ekwenyere m na ọ bụ otu n'ime ihe nyere aka mere mụ na enyi m nwanyị gbara afọ anọ, ahụrụ m onye ọkà n'akparamàgwà mmadụ maka ihe ndị na-akpali agụụ mmekọahụ na enyemaka nke ịgbalị ime ka mmekọrịta anyị na ibe anyị ghara ịdị ma nke a eyighị ka o nyere aka…. [Nzaghachi nyocha 194, Q2].
Media emetụtala m ntakịrị na nke a, ọ na-adị m mgbe ụfọdụ ka m na-a pụ porn nke ukwuu. Ọ na - adị m ka o ju m ka m nweta ahụmịhe nke ndụ m. Ndụ ahụmịhe nke ndụ m na-aka mma mgbe ọ bụla ezumike na porn. Ana m echekwa ụdị porn a m na-ele na-emetụta agụụ m nwere ịme vanilla mmekọahụ. [Nzaghachi nyocha 186, Q2].
Dịka ọmụmaatụ, ajụjụ ọnụ a na-esote ya na nwoke na-eche ma ihe nlere anya riri nwoke ahụ riri ya ahụ́, n'ihi itinye oge zuru oke na-elele ya, na-egosi ojuju nke echiche ahụ riri ahụ na ihe riri ahụ bụ nsogbu nke ịbawanye ọdịnaya - maka onwe ya. opekempe:
C: Ehee, ịmara, echeghị m na ọ dị ihe ọ bụla na-adịghị ahụkebe banyere ọnọdụ m na echere m na m nwere ike ịkọ metụtara ndị ọgbọ m niile na ụmụ nwoke ndị mụ na ha toro bụ isi na ị ga - aga ile anya na - ele anya na - adịghị mma foto -
Ajụjụ ọnụ: Ee dịka Penthouse na -
C: Ee, ọ bụdị obere na nke ahụ, ọ ga na-agbago elu. You na-esi na Playboy gaa Penthouse gaa uurgh m dunno, ma bụrụzie nke gbanwere bụrụ vids umm, ọ na - esikwa ike.
Ajụjụ ọnụ: Mmm mana enwere isi okwu ị kwụsịrị n'agbanyeghị na ịnọghị? N'ihi -
C: Ehee, nke ahụ bụ nhọrọ m kacha mma, n'ihi na echere m na 'urgh na nke ahụ ezuru m
Ajụjụ ọnụ: Na - enwere ụjọ - ndị ọzọ agaghị enwe ike ime ya -
C: M - ọ dị mma na m chere na eziokwu na enwere ụdị nke ụdị na mmekpa ahụ na saịtị ndị a - na-ekwu na enwere ahịa. Achọghị m - echere m na ndị ahụ bidoro dị ka m, na-elele foto ụmụ agbọghọ anya wee si ebe ahụ pụọ.
Ajụjụ ajụjụ: Ee, mgbe ụfọdụ mechiri -
C: N'ime ezigbo ezigbo ike.
N'ebe a, nhọrọ nke C iji mee ka ngụkọ ahụ sie ike na ọdịnaya siri ike na ndị nwere ike ịmalite site na ilele otu ihe nkiri na-akpali agụụ mmekọahụ nke o nwere, mana mechara bụrụ 'ezigbo hardcore'. E gosipụtara nchegbu ndị a n'ụzọ doro anya n'ihe metụtara ma ịntanetị agbanweela ọdịnaya nke ihe ndị na-akpali agụụ mmekọahụ, yana otu ahụmịhe ndị na-eto eto nwere ike isi dị iche na nke onye na-ekwu okwu….
N'ebe a, E na-akọwa ahụmịhe ya mbụ banyere ihe ndị na-akpali agụụ mmekọahụ site na ndepụta ntụaka nke ihe ndị na-akpali agụụ mmekọahụ (ya bụ, nna enyi ya), na-atụ aro na ngosipụta mbụ a mere ka ihe 'dịkwuo mfe' ka ọ na-eto. Agbanyeghị, na a na mgbe e mesịrị na Ajụjụ ọnụ, E na-atụ aro na ndị dị otú ahụ n'oge ekpughe ihe ndị na-akpali agụụ mmekọahụ nwere ike imerụ ndị ọzọ na-eto eto:
Ajụjụ ọnụ: Ma ọ bụ dị ka gịnị gbasara ime ihe ike ma ọ bụ dịka -
E: Ee, ọ dị mma, ọ bụ otu ihe ahụ. Dịka ịmara na ime ihe ike adịghị mma dịka nwatakịrị mgbe ị hụrụ - ị maara, 'Egbula Ji - Johnny' n'ihi na o nyeghị gị onyinye ahụ ', ị makwaara, ịmara na ọ bụ ihe ọjọọ. Yabụ, ọ dị ka ụdị omume ahụ - ị ga - adị ma ọ bụrụ na akụkụ ahụ siri ike bụ ntorobịa, tupu ha enwee ọgụgụ isi tupu ha eruo afọ iri abụọ na anọ, iri abụọ na abụọ, na - agba mbọ oge niile iji mee ka ọdịiche dị n'etiti omume nnabata na omume anaghị anabata na nsonaazụ ha na omume ha. Yabụ, ha nwere ike chee na ọ dị mma ka ụmụ nwoke atọ were nwa agbọghọ ma tụọ ya n'azụ ụgbọ ala n'ihi na nke ahụ bụ ihe ha hụrụ na vidiyo ị ma, dị ka ịntanetị, na ha nwere ike iche na nke ahụ mana ha enweghị. ' Aghọtara n'ezie ihe ọ pụtara n'ezie maka ihe ha mere nwata nwanyị ahụ na ihe ndị ọzọ.
Ajụjụ ọnụ: Ya mere na ahụmịhe gị, ọ bụ ezie na mgbe ị dị ka 13 ị sịrị na ị ga-ahụ ka ọtụtụ ndị mmekọ, ka anyị kwuo. Yabụ - mana ọ dị mgbe ọ bụla ọ nwatara gị, ịmara, dị ka i kwuru, dịka ị maara, imeta ụfọdụ ndị enyi ma -
E: Ewoo, ma soro a - mba.
Ajụjụ ọnụ: Ma ọ bụ, m na-ekwu, dị ka atụ nke mmetụta nke ihe ị hụrụ - na foto ndị gba ọtọ?
E: Mba. Echere m na nke ahụ, ọ ga-adị mma ịma na ị maara. [Na-achị ọchị]
Ajụjụ ọnụ: Ee. Ma ị gaghị adị ka, ee, ị maara, 'Bịanụ ụmụ nwoke' -
E: Ee. Ee e.
Ajụjụ ọnụ: Mba [na-achị ọchị]
E: Mba, na mụ - echere m na - ya - m - ọ dị - ka ọ dị m kwuru na mbụ, ọ pụtara na m chere na ndị mmadụ - omume ndị mmadụ, ọ na-agbadata na ọgụgụ isi ha, ịmara, na otu ha si 'Emesorola m. Y'oburu na i were iwe, i ghaghi ime nke oma, inwere, 'bia dudes, ka anyi nweta umu a.' Know mara, blah blah ihe kpatara enweghị ike ịkọwa ihe ọ bụla ọzọ karịa - na - obere nkewa nke abụọ, ị mara. Na ụfọdụ ndị mmadụ anaghị eto n'ime ya.
Ọzọkwa, nsogbu nke ihe ndị na-akpali agụụ mmekọahụ bụ mgbanwe ndị a na-ajụkarị n'oge na ikike nke ndị na-eto eto iji nwee uche na usoro ọhụụ a. Na nke mbụ, E na-atụ aro na ihe ndị na-akpali agụụ mmekọahụ n'ụdị akwụkwọ akụkọ nyere aka na mmepe mmekọahụ ya, tupu ọ na-atụ aro na ikiri ihe ndị na-akpali agụụ mmekọahụ yiri ya - ọkachasị otu ihe nkiri mmekọahụ - nwere ike iduga ụmụ okorobịa 'ịkpọrọ nwa agbọghọ ụfọdụ kụọ ya n'azụ ụgbọ ala'.
ABSTRACT
(Note: paper is by Kris Taylor. See this for more concerning Taylor’s extraordinary biases – N'iji Kris Taylor na-enye "Eziokwu Ndị Dị Mkpa banyere Egwuregwu Porn na Erectile" (2017))
(2020)
‘Accessing something that’s meant to be inaccessible’: pornography viewers’ reconciliation between early pornographic memories and pornography’s perceived risk,
Ọmụmụ ihe na-akpali agụụ mmekọahụ, DOI: 10.1080/23268743.2020.1736609
Is pornography more dangerous than ever before, or is there a gap between nostalgic memories of pornography and today’s landscape of pornographic risk? In this study, the memories of pornography viewers are re-situated against a cultural backdrop in which pornography is understood as more dangerous than ever before. Using a combination of survey and interview data, the current empirical study works to understand how pornography viewers themselves reconcile their memories of early experiences with pornography within a contemporary environment that focuses on pornography’s negative powers. The results suggest that adult pornography viewers do this through two primary mechanisms: by describing contemporary pornography as dangerous for ‘other’ people (but not themselves); and by accounting for their early experiences with pornography as positive, thereby perpetuating pornography’s supposed effects as a problem for ‘other’ people. This article concludes with a discussion of how discourses of pornographic danger to young people engender a discursive environment in which young peoples’ pornography viewing is simplified to a notion of risk, thereby foreclosing the sorts of considerations of pleasure and excitement allowed to adults.
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